CORROSION OF CONFORMITY To Release No Cross No Crown Full-Length January 12th, 2018 Via Nuclear Blast Entertainment

CORROSION OF CONFORMITY To Release No Cross No Crown Full-Length January 12th, 2018 Via Nuclear Blast Entertainment 

Album Marks First Recording With Vocalist/Guitarist Pepper Keenan In Over A Decade; Preorder Bundles Available

Preorder No Cross No Crown at THIS LOCATION

Whenever CORROSION OF CONFORMITY releases a new album, folks take notice. But their latest is a true event. It’s been a dozen years since CORROSION OF CONFORMITY recorded new material with vocalist/guitarist Pepper Keenan at the helm. In that time, there have been rumors, whispers, and outright allegations that the legendary Southern rock outfit would reunite to blow the doors off the whole damn scene again. In 2014, after nearly a straight decade traversing the globe as a guitarist with New Orleans supergroup Down, Keenan reconnected with the core CORROSION OF CONFORMITY trio of Woody Weatherman, Mike Dean, and Reed Mullin to hit the road hard. “Reed called me and mentioned maybe playing a couple shows,” Keenan recalls. “I said, ‘Let’s just go to Europe and see if it works.’ So we went to Europe and then ended up going back four times in one year… We toured for a year and then started tracking about ten or eleven months ago.”

And now, the long wait is over. CORROSION OF CONFORMITY returns with No Cross No Crown — an album that somehow sounds as though no time has passed between 2005’s In The Arms Of God and today.

Recording in North Carolina with longtime producer John Custer, CORROSION OF CONFORMITY cut No Cross No Crown in about forty days over the course of a year. “We took our time and didn’t put any pressure on ourselves,” Keenan says. “I’d go up from New Orleans and we’d do four or five days at a time, just hacking away at it. It was fun because we did it like a demo, but in a studio. We were writing and putting it on tape at the same time. We took what parts we thought were great from the old days and weren’t scared to go backwards. It kinda wrote itself that way.”

Some of these new jams sound like could’ve easily been on Wiseblood or Deliverance, two of CORROSION OF CONFORMITY‘s most revered records. On No Cross No Crown, beefy Southern stompers like “The Luddite,” “Little Man,” and “Forgive Me” are interspersed with melancholy guitar interludes like “No Cross,” “Matre’s Diem,” and “Sacred Isolation” — just like Sabbath used to do in the ’70s. “We started doing that on Deliverance,” Keenan points out. “My theory on that is that if you’re trying to make a record flow, you need to break it up a little. When you need a breather, write an interlude. I like writing those mellow pieces just to space things out and make the next thing come in heavier.”

The album’s iconic title comes from a recent tour stop in England. “We were playing this old church from like the 1500s that had been turned into a performing arts center,” Keenan recalls. “The dressing room had stained glass windows and one of them showed this poor fella being persecuted. Underneath it said, ‘no cross no crown.’ So I just took that idea. We’re not trying to be on a soapbox, but we used it as a catalyst to write songs around.”

Which is to say that No Cross No Crown has a lot less to do with politics or religion than its title implies. “I think everyone needs to get away from that mindset in general,” Keenan offers. “It just seems to be a mess out there nowadays. We need to get back to being humans and taking care of each other and simple things like that. For us, the terminology ‘no cross no crown’ is a theme. It’s mentioned in like three songs throughout the album. We just weaved it through as we went.”

No Cross No Crown stands as irrefutable proof of CORROSION OF CONFORMITY‘s ability to overcome. “CORROSION OF CONFORMITY and the prior records I’ve done with them didn’t just go away,” Keenan observes. “It’s an honor to be back out there and have an opportunity to do it again in a real way and not some washed-up reunion thing. Even before we wrote the record, we were out there for a year seeing there was a demand for it and that there was a void that we could fill. That’s been CORROSION OF CONFORMITY‘s deal from day one. We’re not chasing anybody around. We’re not gonna worry about what the new trends are. CORROSION OF CONFORMITY is CORROSION OF CONFORMITY.” 

No Cross No Crown will be released via Nuclear Blast Entertainment worldwide on January 12th, 2018 on CD, digital, vinyl, and cassette formats. Various preorder bundles are currently available at THIS LOCATION.

No Cross No Crown Track Listing:

1. Novus Deus

2. The Luddite

3. Cast The First Stone

4. No Cross

5. Wolf Named Crow

6. Little Man

7. Matre’s Diem

8. Forgive Me

9. Nothing Left To Say

10. Sacred Isolation

11. Old Disaster

12. E.L.M.

13. No Cross No Crown

14. A Quest To Believe (A Call To The Void)

15. Son And Daughter

 

In advance of the release of No Cross No Crown, CORROSION OF CONFORMITY will join Black Label Society for a mammoth North American live takeover. The tour begins December 27th, 2017 in Denver, Colorado and will wind its way through nearly four dozen cities, the journey coming to a close February 27th, 2018. Additional support will be provided by Eyehategod and Red Fang on select shows. See all confirmed dates below.

 

CORROSION OF CONFORMITY w/ Black Label Society, Eyehategod (12/29 – 1/20; 2/11 – 2/27), Red Fang (1/26 – 2/9):
12/27/2017 Ogden Theatre – Denver, CO
12/29/2017 Anthem at Hard Rock Hotel & Casino – Sioux City, IA ^
12/30/2017 Uptown Theater – Kansas City, MO ^
12/31/2017 Pop’s Nightclub – Sauget, IL^
1/02/2018  Sokol Auditorium – Omaha, NE^
1/03/2018  House Of Blues – Chicago, IL ^
1/04/2018  Egyptian Room at Old National Centre – Indianapolis, IN ^
1/05/2018  The Fillmore Detroit – Detroit, MI ^
1/07/2018  Upstate Concert Hall – Clifton Park, NY ^
1/08/2018  M Telus – Montreal, QC ^
1/09/2018  Rebel – Toronto, ON ^
1/10/2018  20 Monroe Live – Grand Rapids, MI ^
1/12/2018  Diamond Ballroom – Oklahoma City, OK ^
1/13/2018  Bomb Factory – Dallas, TX ^
1/14/2018  Emo’s – Austin, TX ^
1/15/2018  House Of Blues – Houston, TX ^
1/17/2018  House Of Blues – New Orleans, LA ^
1/18/2018  Marathon Music Works – Nashville, TN ^
1/19/2018  Bogart’s – Cincinnati, OH ^
1/20/2018  Center Stage – Atlanta, GA ^
1/26/2018  Jannus Live – St. Petersburg, FL *
1/27/2018  House Of Blues – Myrtle Beach, SC *
1/28/2018  The Ritz – Raleigh, NC *
1/29/2018  The Fillmore Silver Spring – Silver Spring, MD *
1/31/2018  PlayStation Theater – New York, NY *
2/01/2018  The Palladium – Worcester, MA *
2/02/2018  Aura – Portland, ME *
2/03/2018  Electric Factory – Philadelphia, PA *
2/05/2018  Town Ballroom – Buffalo, NY *
2/06/2018  The Goodyear Theater at East End – Akron, OH *
2/07/2018  Stage AE – Pittsburgh, PA *
2/08/2018  Eagles Ballroom Club Stage – Milwaukee, WI *
2/09/2018  Myth Live – St. Paul, MN *
2/11/2018  O’Brians Event Centre – Saskatoon, SK ^
2/12/2018  The Ranch Roadhouse – Edmonton, AB ^
2/14/2018  Commodore Ballroom – Vancouver, BC ^
2/16/2018  Bowes Event Center at Revolution Place – Grande Prairie, AB ^
2/17/2018  MacEwan Hall – Calgary, AB ^
2/19/2018  Showbox SoDo – Seattle, W ^
2/20/2018  Roseland Theater – Portland, OR ^
2/21/2018  Ace Of Spades – Sacramento, CA ^
2/23/2018  House of Blues – Las Vegas, NV ^
2/24/2018  The Marquee – Tempe, AZ ^
2/25/2018  Sunshine Theater – Albuquerque, NM ^
2/27/2018  The Fonda Theatre – Los Angeles, CA ^
^ Dates With Eyehategod
* Dates with Red Fang

 

CORROSION OF CONFORMITY is:

Pepper Keenan – vocals, guitar
Woodroe Weatherman – guitar
Mike Dean – bass, vocals
Reed Mullin – drums, vocals

http://www.coc.com
http://www.facebook.com/corrosionofconformity
http://www.twitter.com/coccabal
http://www.nuclearblast.com
http://www.facebook.com/nuclearblastusa

1,195 total views, 2 views today

About the Author

Dom R (Admin)

Thanks for taking a few seconds to read this. I have been with MTRS since its inception. Love doing the live broadcasts and interviewing my hero’s and other very interesting people over the decade of this. MTR is my therapy. Have always looked at this site and station as being part of the solution for the artists. We have NEVER pushed our own agenda, it has always been in the name of the bands, the music and the direction in which we have an influence in helping. We are part of the solution. Its simple! We are here to help bands and entertainers succeed. We go way far beyond of what is expected of a station/PR piece.